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Boer, J. (2025)

Sensing Slowness: A Phenomenology of Slow Cinema Spectatorship [Doctoral dissertation, University of Groningen, Netherlands]. https://doi.org/10.33612/diss.1220474913

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Boer, J. (2025)

Back to the Spectators Themselves: A Methodological Proposal for Adopting Empirical Phenomenology in Film and Media Studies. International Journal of Film and Media Arts 10(2): 8–35. https://doi.org/10.24140/ijfma.v10i2.9454

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Bonarjee, D.S. (2024)

Space of the Nameless [Doctoral dissertation, Goldsmiths, University of London, UK].

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Challandes-Laughton, C. (2026)

Eliciting Intuitive Abilities in the Creative Agency of Lecoq Trained Theatre Makers. Theatre, Dance and Performance Training (TDPT). https://doi.org/10.1080/19443927.2026.2691696

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Fratagnoli, F. (2023)

Pour un usage de l’entretien d’explicitation ou micro-phénoménologique avec une interprète de Mohini Attam. Retour sur une recherche en cours. Recherches en danse [Online], 12. DOI: https://doi.org/10.4000/danse.6748

 

Fratagnoli, F. (2023)

Le “corps du poème”. Pour une approche phénoménologique des liens entre poème et expression corporelle dans le bharatanatyam, style de danse traditionnelle de l’Inde du Sud. Interfaces [Online], 49. DOI: https://doi.org/10.4000/interfaces.6945

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Fratagnoli, F. (2025)

Pour une « corporéité du son ». Approche micro-phénoménologique d’un padam de Mohini Attam. Cahiers d’ethnomusicologie [Online], 38. http://journals.openedition.org/ethnomusicologie/5701

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Julliard, R., Roy, D., & Botella, M. (2025)

The Researcher-As-Obstacle: A methodology for the study of creativity while it happens. Qualitative Research 26(1).  https://doi.org/10.1177/14687941251377260

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Laughton, C. (2026)

Eliciting Intuitive Abilities in the Creative Agency of Lecoq Trained Theatre Makers. Theatre, Dance and Performance Training (TDPT) https://doi.org/10.1080/19443927.2026.2691696. [active soon]

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Mark, E. (2019)

Taktil-performative und mikro-phänomenologische Forschungspraxis zur Erschließung von Wahrnehmungsprozessen [Doctoral dissertation, Europa-Universität Flensburg, Institut für Ästhetisch-Kulturelle Bildung-Abteilung Textil und Mode, Germany].

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Petitmengin, C. (2007)

Towards the source of thoughts. Journal of Consciousness Studies, 14(3), 54-82.
 

Petitmengin, C. (2001)

L’expérience intuitive. Paris: L’Harmattan.

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Petreca, B. (2016)

An understanding of embodied textile selection processes & a toolkit to support them [Doctoral dissertation, Royal College of Art, London, UK].

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Petreca, B. & Bianchi-Berthouze, N. (2015)

How do designers feel textiles?. In: Proceedings of the 2015 International Conference on Affective Computing and Intelligent Interaction (ACII): 982-987.

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Reed, C. N., Nordmoen, C., Martelloni, A., Lepri, G., Robson, N., Zayas-Garin, E., Cotton, K., Mice, L., & McPherson, A. (2022)

Exploring experiences with new musical instruments through micro-phenomenology. In: Proceedings of the International Conference on New Interfaces for Musical Expression (NIME 2022). https://doi.org/10.21428/92fbeb44.b304e4b1

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Vásquez-Rosati, A. (2017)

Body Awareness to Recognize Feelings: The Exploration of a Musical Emotional Experience. Constructivist Foundations, 12(2), 219:226

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Vion-Dury, J. (2014)

L’expérience musicale, l’entente et l’être: variations en troisième, seconde et première personne. In: N. Depraz (Ed). Première, deuxième, troisième personne (pp. 270-290). Zeta Books.

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Weisen, M. (2023)

Non-Conscious Dimensions of Architectural Encounter: Experiential research at Peter Zumthor’s Kolumba Museum in dialogue with Juhani Pallasmaa’s architectural phenomenology [Doctoral dissertation, Université Paris sciences et lettres, France].

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